Three generations of audience. Two decades on screen. One name still in the casting-room shorthand.
Disney handed her a sitcom at fifteen — Even Stevens — and a global animated franchise at sixteen — Kim Possible. Most agents see the IMDb page and stop reading. That's the mis-read.
Past the Disney years: Broadway. Reality TV. A YouTube channel that, when she finally turned it on, did seven figures in its first eighteen months. Voice work that still pays monthly residuals on shows older than most creators have been alive.
What she has that most peers don't: permanence. Three generations of audience who each think they discovered her first. A brand list that reads like a who's-who of CPG. And the rare combination of real performer and real operator — she reads her own contracts.
Three partners from the last twelve months. Performance details available on request to verified brand teams.
A trademark on the cooking brand she built. A holding LLC for the back catalog. Voice royalties that hit monthly. Vault structured each line.
Five-day turnaround for matched briefs. Tell us what you're trying to move and we'll come back with terms, projected reach, and a campaign plan.